AYESHAH ROSE

<div>Ayeshah&nbsp;is an actress, writer and creative, recently&nbsp;relocated back to Australia from the U.S.&nbsp;Ayeshah&nbsp;is reclaiming her culture and is focused on representation both on and offscreen, intersectional feminism, identity and stories that create a social impact.&nbsp;As a Pakistani/Australian adapting to the cultural changes especially within the creative industry took time and&nbsp;has spent the last few years working on developing stories with an intrinsic focus&nbsp;on identity.&nbsp;Received positively by numerous festivals globally her directing debut in&nbsp;Me Too&nbsp;(2018), a visual representation of the conversations, allegations and controversies made throughout the Hollywood epidemic.&nbsp; She has since gone on to make two other award-winning films&nbsp;Shoulda&nbsp;and&nbsp;The Girlfriend Project,&nbsp;which were both successfully sold to short form streamers.&nbsp;</div> <div>With a slate of film and television projects,&nbsp; a U.S. endeavour&nbsp;Ayeshah&nbsp;is currently in the final stages of development,&nbsp;Deluge (supported by Screen Australia)&nbsp;a&nbsp;feature drama alongside AACTA nominated&nbsp;writer-director Melissa&nbsp;Anastasi and producers Deanne Weir, Chris Luscri and Hayley&nbsp;Surgenor. This film&nbsp;will tell a unique and timely story - that of the spiralling fallout of a Pakistani-Australian female&nbsp;protagonist as she is forced to reckon with the complex experiences of gendered violence. A story told&nbsp;within a wild and expressionistic dance story world that takes audiences on a journey of re-emergence from&nbsp;trauma as our protagonist fights to reclaim herself as an artist and human being. This story is based on&nbsp;Ayeshah&#39;s upbringing in rural Queensland.</div><div>Currently&nbsp;InMates&nbsp;a television series in development with Tilt Media,&nbsp; as well as a slate of projects all exploring intergenerational patterns and matters of the heart.&nbsp;</div> <div>Ayeshah&nbsp;is currently partnering with&nbsp;savvy producer&nbsp;Tsu Shan Chambers (S.P.A) in creating a unique gap financing platform,&nbsp;The Humanity Fund.&nbsp;The fund supports diverse storytellers by investing in scripted feature&nbsp;films and TV shows for worldwide audiences.&nbsp;&nbsp;</div><div>Ayeshah&nbsp;is set to appear in&nbsp;Deluge&nbsp;as the lead role and is currently sponsored by Sydney Dance Company in preparation for the role. As well as this she has a variety of roles ahead of her on the team&#39;s slate.&nbsp; </div><div> </div>

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LOU DOILLON 

Lou Doillon&nbsp;is a British and French singer, actress and model. She is the daughter of French director Jacques Doillon&nbsp;and English actress and singer Jane Birkin. Doillon started her career as a model during her teenage years and later transitioned into acting and music. In the late 1990s and into the 2000s, she appeared in several French films for which she received recognition for her performances, credits that include Bad Company&nbsp;(1999) and&nbsp;Gigola&nbsp;(2010). In addition to her acting career, Doillon has pursued a successful music career, releasing her debut album&nbsp;Places&nbsp;in 2012 to critical acclaim and commercial success. Her music blends elements of folk and indie rock.

THAT BOY KWAME 

The suburbs of Western Sydney are a melting pot of creatives and none have managed to break the mould like Kwame. Known to many as one of Australia&#39;s breakout talents in recent years, Sydney-based&nbsp;artist Kwame has continued to impress time and time again with his thoughtful, forward thinking&nbsp;take on modern hip hop With a multitude of accolades, festival performances,&nbsp;sold out national headliners under his belt including a j award for Unearthed artist of&nbsp;2018 and FBi Smac Award for Best Song, Kwame has built on an ever-growing wealth of&nbsp;industry fanfare with support from the likes of Zane Lowe and A$AP Ferg, who first thrust&nbsp;the young musician into the literal spotlight. His music has been described as having the experimentalism of all genres through unique storytelling, production, lyricism, visuals and theatrical components that seamlessly create a captivating experience by the principles of open-endedness and nonlinearity.

COURTNEY SPIJKERS

COURTNEY
SPIJKERS